Fashion is about moving into exciting untried territory but style will ask for a thoughtful process of rejection and selection. The 50s were all about the arm-length, closed-neck blouses that were longer than the usual choli and the swinging Sixties saw sleeveless blouses with V-necks and ribbon-knots at the back."The idea behind the changing shape of blouses," says designer Jyoti Sachdev Iyer, "is to make the sari more wearable every day. This did not suit Victorian society, which had its own ideas of propriety, and blouses increasingly became the norm.
Add structure by teaming your sari with a jacket as this is sure to make you stand out," suggests designer Pria Kataria Puri. But the sari and the blouse are no longer a predictable pair. Over the years, the sari blouse has evolved organically to suit the mood of the moment. Gone are the days when everything had to match. With innumerable functions in an Indian wedding, brides should look to wear a number of different styles on different days. — has made blouses a multifaceted accessory that effortlessly gives the sari or the lehenga a new lease of life," says designer Shasha Gaba. Pick a blouse that contrasts with your garment either in colour or motif. In Bengal and other parts of India, in the Victorian era, some women did not wear blouses under their saris — they went bare-breasted. The humble sari blouse isn’t just something that you wear with a sari, it’s an inventive fashion separate.. You can team a silk blouse with long sleeves with your sari or lehenga.Yes, the six yards of wonder is eternal.From stretch blouses that looked like mini tees; crop tops worn over heavily embroidered, voluminous lehengas; net bodice blouses, S&M inspired  or sharply contoured bralettes; breezy blouses-resembling short kurtis and collared shirts, the traditional blouse has been getting a quirky contemporary uplift."  "Today’s bride has a plethora of options from which to choose from as she plays dress up for her wedding.
Between then and now, a myriad variety of designs — braided noodle straps, peplums, embellished corset, transparent capes, off the shoulder, one shoulder, key-hole, bikini, etc."The earliest representations of women wearing the blouse can be found in the sculptures from the Mauryan and Sunga periods. And it was Jnanadanandini Debi, the wife of Satyendranath Tagore who popularised the blouses, jackets and chemises and the modern style of the sari. One more interesting variation to try out is trying out palazzo pants underneath the sari instead of the traditional skirt. The 30s’ saw puff-sleeve blouses while the 1940s had square-neck versions. Each should be unique, be accessorised right and reflect her personality. The only way to know what will work for you is to try something tassel-free in a shape that you are not used to, in new fabrics that you thought belonged to dresses or shirts.The 70s’ were simple — colour-matched blouses but the 80s were steamy — a mix of halter-neck and cap-sleeved blouses. It is believed that men and women wore rectangular pieces of fabric, on the https://www.china-textile.net/ lower part of the body and one on the upper part.

French car maker Renault has launched the ’Adventure Edition’ of the facelifted model of its popular compact SUV, the Duster, at Rs 9.The new edition is available in both the trims of the 1. The new edition of the car comes in both the versions of the 1.5-litre dCi diesel -- 85PS and 110PS -- although the 110PS trim is only available in the AWD (all-wheel drive) variant.77 lakh. Source: CarDekho.
The app will provide most of the driving data such as fastest 0-60kmph time, overspeeding warnings along with other alerts. However, the steering-mounted audio control is standard across the Adventure Edition range, https://www.china-textile.net/product/dty-polyester-oxford-fabric/pu-coated-oxford-fabric/ and the 85PS RXL variant comes with touchscreen infotainment system, though without navigation (110PS AWD features navigation). Besides all this, the Adventure Editions will also offer Renault’s new optional app – SmartDrive – which will feed live data to your smartphone via a Bluetooth dongle. Buyers don’t have the options of six-speed manual (FWD) and the AMT (automated manual transmission) variants of the 110PS diesel.5-litre dCi diesel -- 85PS and 110PS -- although the 110PS variant will come only in the AWD (all-wheel drive) variant.45 lakhAdventure Edition RXZ AWD 110PS – Rs 13.64 lakhAdventure Edition RXL 85PS – Rs 10.What’s NewExteriorThe Adventure Editions come sans chrome appliques and offer glossy black finish instead; grille and the licence applique are finished in the same Unlike the stock Duster, they come with all-around body cladding along with a ‘front armour’ with lamps and Duster branding Feature a compass decal on the D-pillar along with ‘Adventure’ branding Mustard Yellow coloured front faux skid plate and roof rails Two new colours on offer – Outback Bronze and Slate Grey – while the existing Pearl White and Moonlight Silver are also offeredInteriorInterestingly, they come upholstered in denim, also have zips New black door fabric inserts and leather-wrapped steering wheel, both with contrasting Mustard Yellow stitchingMustard Yellow highlights on air vents and central dial of the instrument cluster Adventure branding on steering wheel and floor mats FeaturesEach of the Adventure Editions come with the features pertaining to their corresponding variants.

I also realised that graffiti offers a freedom that is intangible, it also goes far beyond the artistic context. "I was fascinated by the energy of the places that were painted — it made me realise that artists choose between a calm or strong style, and what colours they would use too.
Talking about his inspiration, Rupin says, "I sat at that famous corner across L’Eglise Saint Germain des Prés, Café de Flore and wondered, was it in this struggle to fight the stark reality of our repetitive and seemingly redundant existence that Jean-Paul Sartre also sat leering https://www.china-textile.net/product/dty-polyester-oxford-fabric/pepeva-laminated-fabric/ into the lives of passersby, drinking a beer, repeatedly coming to the conclusion that ‘we (the French) were never more free than under the German occupation’ "The exhibition featuring around 50 works is divided into four parts: landscape, still life studies, solitaire — quiet corner and street art and graffiti. "Before chairs came benches, and by the 19th century benches were a symbol of modern day civic society," explains Rupin and adds, "Beyond its utilitarian function, a chair or a bench represents wherever it is that mankind chooses to sit to ponder upon the struggle between his conscious and conscientious being. The sense of theatrics and understanding of calligraphic styles made them stand apart. He uses images as a powerful tool to capture frames which are uniquely authentic.The history, architecture and grandeur of Paris have been an inspiration for many artists worldwide. In a series of works titled ‘La Vie A Paris: A Study In Volition’ photographer Rupin Thomas captures the timeless charm of the city while understanding the ever-evolving human nature through its historic references. You look at the works for days on end and you realise that the environment is a key element in what they produce. "Every human addition to the landscape of Paris and the French countryside was done with a certain reductive sensibility which looks to find a way to belong to the picture and not stand out in it. In the solitaire series, Rupin captures public benches and tries to showcase their historic relevance and how they have evolved over time. Adding to her point, Rupin says, "These photographs not only capture the present but try to represent the historic events that took place at the particular place. This made capturing landscapes and cityscapes particularly easy and rarely did I struggle to find a ‘picturesque angle’, it was all already built from that perspective," shares the artist. It consists of a series of day and night shots.. The most striking part is how these photographs capture the existence of the historic sites in their natural setting and how at times we choose to walk away or forget the relevance of a particular architectural site in this modernist world, like a wisp, a poetic intrusion, with the enchantment of everyday life."
The landscape and the still life series on display capture the change of scenery as the transition from a traditional suburban fabric to a concrete and impersonal suburb."In this series, Rupin also has extensively captured the street art scene in Paris and the significance of each motif associated with it. When you see an abandoned tunnel with an old train route and study the landscape and graffiti that becomes part of the scenario, it’s like being caught in a time warp," says Rupin. "The graffiti, the iconic museums and corner cafés present the perfect juxtaposition of old and new that makes Paris the perpetually perfect place to visit," points out Uma Nair, curator of the show.